Crumb took pains to preserve every word of Genesis-drawing from numerous source texts, but mainly Robert Alter’s translation, The Five Books of Moses (2004)-and he clearly did his homework on the clothing, shelter and landscapes that surrounded Noah, Abraham and Isaac. In fact, the creator of Fritz the Cat and Mr. Crumb’s pass at the opening chapters of the Bible isn’t nearly the act of heresy the comic artist’s reputation might suggest. The Book of Genesis as imagined by a veteran voice of underground comics. Though a bit of a period piece, a lovely and wholehearted coming-out story. Wide-eyed Clementine wears every emotion on her sleeve, and even if today’s teens will feel that her mid-’90s experience is rather antique, they will understand her journey perfectly.

The text is occasionally clunky and purposive-“We do not choose the one we fall in love with, and our perception of happiness is our own and is determined by what we experience…”-but the illustrations are infused with genuine, raw feeling. The late-2000s scenes are somber and washed with blues, while the bulk of the tale is drawn in delicate black, gray and white with strategic highlights of blue. The story is told in flashback readers meet a years-older Emma in the aftermath of Clementine’s funeral as she reads Clementine’s teenage diaries. The relationship turns sexual (graphically, beautifully so) and complicated. “I had no right to have thoughts like that.” When she meets blue-haired Emma for real, she begins an at-first platonic relationship with the art student, who tells Clementine of her own coming out. That night, the woman figures in an erotic dream, and her world is rocked. From Belgium, the graphic novel on which the 2013 Palme d’Or–winning film of the same name was based.Ĭlementine is 15 in 1994 when she sees a beautiful young woman with blue hair crossing the plaza.

Blue Is the Warmest Color by Jul Maroh